These are pages 1, 2 & 5 from
a story board for a proposed series called “Roxie’s Raiders”, done by Jack
Kirby for the Ruby-Spears animation studio, some time in the early ‘80’s. My
set of copies has many gaps; I invited anyone who is able to fill those gaps.
I’m missing pages 3,4,6,12, 14 through 29, and 36 through 46.
For more on the project, follow
this link. http://comicsalliance.com/10-amazing-jack-kirby-designs-that-need-to-happen/
I acquired this set of copies
during my brief tenure at Ruby-Spears as a storyboard artist in April-June of
1983. Jack Kirby was a staff artist (or a free-lancer, I’m not sure which). He
dropped by the studio at least twice in the slightly less than two months I
worked there, to pick up and drop off assignments and to shoot the shit with
the director, John Dorman. They were both into boxing, as I recall.
I was a comic book fanboy on the
make to be pro, so I tried to cozy up to “The King”. He answered my questions
politely but tersely, basically giving me no space to extend the conversation.
Apparently the days of the early 70’s, when Jack would mentor younger artist or
writers such as Mark Evanier and Steve Sherman, were passed. I found this out
in no uncertain terms after I was fired from my staff board artist gig. I tried
calling his home number to see if he needed an assistant. Ros Kirby answered
the phone and made clear that I wasn’t going to get anywhere near her husband.
The thing was, I wasn’t a
particular fan of Kirby anyway, not at that time (1983). I was into the
realists, like Neal Adams, Doug Wildey, Al Williamson, Alex Toth, Bernie
Wrightson, Harvey Kurtzman, Will Eisner, Herge’, Moebius. Kirby was…it wasn’t
that he was too weird; I was a big fan of underground comis and the stuff that
was coming out of Europe, as seen in Heavy Metal Magazine. Independent Comics,
such as Elf Quest, Cerebus and Love and Rockets were also highly inspiring.
My problem with Kirby, in 1983,
was that he was OLD. He smelled like my grandmother in spite of his cigars. And
his comics were old too, even the ones he had done recently, like Destroyer
Duck, Captain Victory, and Silver Star. He shared the same fault, in my
23-year-old mind, as John Buscema. Gene Colan, Gil Kane, Irv Novick, Jim Aparo,
Curt Swan, Joe Kubert and others of that generation; endless repetition with
ever diminishing emotional involvement. The only interest I found in their work
was generated by seeing what different inkers did with their pencils. (To be
continued)
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