I
was heavily into my Kirby phase when drawing “The Mark In America”. It tends to
be more noticeable in the action sequence, which are relatively few in this
mini-series. Look for it here in panel 3, mostly in the figure of Isaac who
gets some “Kirby Squiggles” on various parts of his body as he fights off
Burovnik’s goons.
In
some ways, the Kirby influence is more pervasive and subtle than those obvious
surface mannerisms. For instance, how he did shadow placements in his mid/late
50’s period has made a big impression on me. I can’t point to anything precise;
it’s more the realization that one doesn’t have to be accurate or do it
“right”. What counts is creating a balanced effect and leading the eye across
the panel and page.
This
is page 16 for "The Mark" issue 2, volume 2, otherwise known as
"The Mark In America", published by Dark Horse Comics in January
1994. Written by Mike Barr, drawn by Brad Rader.
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