I
penciled the sfx “bang bang” in panel 1 myself. The way the production process
worked on this project was, I would rough out the pages on 8.5” x 11” paper,
Fed Ex copies to my Editor, Bob Schreck (I don’t recall sending copies to the
writer, Mike Barr), get approval on my roughs (Bob was a very “hands off”
editor so I never got any comments, to the point where I asked him if he
actually looked at them. He assured me that he did, and that “I love looking at
roughs”). I would pencil a batch of 12 or so pages, send them in to be lettered
and ink the lettered pages. I realized early on that the letterer was fine on
the body copy, but I found his titles and sfx lettering uninspired so I started
penciling those myself, starting with this page. I am hugely influenced by Will
Eisner, Alex Toth and Walt Simonson in their use of lettering and usually
pencil the titles and sfx myself if I’m allowed. I place the word balloons in
the roughs for the letterer to use as a guide. On my first comic book job,
penciling “The Batman Adventures” issues 4 through 6, I would actually write
out all the words to make sure I was sizing the balloons correctly.
This is
page #6 from Dark Horse Comics #15, “The Mark: What Goes Around”, written by
Mike Barr, drawn by Brad Rader, published in December, 1993.
No comments:
Post a Comment