Jerry A. Mills ( February 26, 1951 - January 28, 1993 ) was a gay cartoonist, noted particularly for his creation of the "Poppers" comic strip. The strip told of the adventures of Billy, a West Hollywood muscleboy, and his sidekick Yves (based on Mills), a big-hearted nebbish who offered good advice and caution (usually unheeded) for his glamorous friend. Yves always went along for the ride with Billy, commenting on the action, a function he took over from a witty crab louse that lived on Billy's pubic hair, when it was phased out after the first few strips.
In the early 1980s Mills worked in the subscriptions department of In Touch for Men, an adult magazine targeted at the gay male community. John Calendo, editor at the time, encouraged Mills to write a regular comic strip, to add variety to the magazine's content. The result, "Poppers", began in April 1982. (The title referred to "poppers", alkyl nitrites which were commonly used in the gay community.) By the mid-80s the strip was also being published ( in translation ) in Gai Pied Hebdo, a French-language gay magazine, and in the Japanese magazine Barazoko. Reprints of the strip also appeared sporadically in Gay Comix under the editorship of Howard Cruse, Robert Triptow, and Andy Mangels.
When Mills moved to the classifieds department of Advocate Men, the "Poppers" strip followed him, and was published sporadically. By the beginning of the 1990s Mills' health was deteriorating, as he developed complications associated with HIV infection, and in his final few years he worked less and less. He did, however, attend ACT UP demonstrations in Los Angeles and design posters for the offshoot organization Queer Nation, concerned with gay visibility. Mills died of his illness in January 1993, survived by his partner Sal Lucarello.
As well as writing "Poppers", Mills also created ad hoc cartoons, and wrote an eight-page history of gays in comics for the first Meatmen anthology. His predominant contribution to gay cartooning, however, was the "Poppers" strip, which was notable at the time for being one of the first cartoon strips to develop gay characters at home both with their sexuality and their humanity. Where earlier comics had tended to the stereotypical - either the nelly queen or the muscleman - Mills was one of the first to present his characters with lives beyond the stereotypes. Though overshadowed by contemporaries, most notably Tim Barela and Howard Cruse, both of whom also worked with continuing characters in comic strip format, Mills made a substantial contribution to gay cartooning. In particular, the "Chelsea Boys" strip by Glen Hanson and Allan Neuwirth is influenced by Mills.
(Quoted from Wikipedia)
I met Jerry in 1988 while a member of ActUp LA (Aids Co-alition To Unleash Power). I thought Jerry was a hoot, the kind of witty party person I wished I were. I watched Pee-Wee's Playhouse for the first time in his West Hollywood apartment.
The original Here on display is huge, about 2.5' x 3.5'. I purchased it directly from the artist in 1992, shortly before his demise.
I vaguely recall a documentary, "Ruined For Life" or something like that, about a Gay Disco in San Francisco in the 70's.Jerry was interviewed in the documentary as he used to run the lights and sound for the disco.
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