I have an artistic problem: when
I attempt looseness and spontaneity, I risk merely achieving crappiness and
crudity. Tony Salmons, on the other hand, is one of those artists, like Jordi
Bernet or Joe Kubert, who can pull it off, get away with it, as it were. Tony
bragged to me that he had to get drunk to get to the place where he could shut
down his internal censors enough to produce the effects seen in these pages.
I’m reminded of Alan Watt’s anecdote about the Sumi-e painter (or was it
Chinese calligrapher) who got plastered before he executed his magnificent
paintings using his beard dipped in the ink.
Alex Toth’s influence is seen clearly
in the sfx lettering, executed on the original page itself.
This is page 7 from issue #3 of "The Strange Adventures of H. P. Lovecraft”, illustrated by Tony Salmons
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